During the Titanomachy, the war between the Titans and the Olympian gods, Prometheus sided with Zeus, helping to overthrow the old gods. Siding with the winning side, Prometheus avoided being punished with the rest of the Titans and was therefore not sent to Tartarus, the Underworld.
In all accounts, Prometheus was presented to be the protector and benefactor of mankind. In an event called Trick at Mecone, he tricked Zeus by asking him to choose between two offerings; beef hidden inside an ox’s stomach (something pleasing hidden inside a repelling exterior) or bones wrapped in glistening fat (something inedible hidden inside a pleasing exterior). Zeus chose the latter and hence, a precedent was created in what humans could sacrifice from that moment; so, they kept the meat for themselves and sacrificed bones to the gods.
As a result of the trick at Mecone, Zeus was infuriated and decided to hide fire from mortals as punishment. Prometheus, in an effort to help humanity again, managed to steal fire back and give it to humans. More enraged, the father of gods asked Hephaestus to create Pandora, the first woman, who according to Hesiod, would bring troubles to mankind. He also punished Prometheus by having him chained to a rock, where an eagle ate his liver during the day, and the liver was regenerated during the night due to Prometheus‘ immortality. He was later saved by the demigod Hercules.
Prometheus Is also called Promitheas.
Προμηθεύς (Promētheús)1)https://en.wikipedia.org/wiki/List_of_Greek_mythological_figures (Other Titans) Titan of forethought and crafty counsel, and creator of mankind.
Prometheus (/prəˈmiːθiːəs/ prə-mee-thee-əs; Greek: Προμηθεύς [promɛːtʰeús], meaning “forethought”) is a Titan in Greek mythology, best known as the deity in Greek mythology who was the creator of mankind and its greatest benefactor, who stole fire from Mount Olympus and gave it to mankind.
Ancient myths and legends relate at least four versions of the narratives describing Prometheus, his exploits with Zeus, and his eternal punishment as also inflicted by Zeus. There is a single somewhat comprehensive version of the birth of Prometheus and several variant versions of his subjection to eternal suffering at the will of Zeus. The most significant narratives of his origin appear in the Theogony of Hesiod which relates Prometheus as being the son of the Titan Iapetus by Clymene, one of the Oceanids. Hesiod then presents Prometheus as subsequently being a lowly challenger to Zeus’s omnipotence. In the trick at Mecone, Prometheus tricks Zeus into eternally claiming the inedible parts of cows and bulls for the sacrificial ceremonies of the gods, while conceding the nourishing parts to humans for the eternal benefit of humankind. The two remaining central episodes regarding Prometheus as written by Hesiod include his theft of fire from Olympus for the benefit of humanity against the will of Zeus, and the eternal punishment which Prometheus would endure for these acts as inflicted upon him by the judgment of Zeus. For the greater part, the pre-Athenian ancient sources are selective in which of these narrative elements they chose by their own preferences to honor and support, and which ones they chose to exclude. The specific combinations of these relatively independent narrative elements by individual ancient authors (Hesiod, Homer, Pindar, Pythagoras), and specific exclusions among them, are often influenced by the particular needs and purposes of the larger myths and legends which they are depicting. Each individual ancient author selectively preferred certain crucial stories depicting Prometheus over others.
The intensive growth and expansion of Greek literature and philosophy in the classical fourth and fifth century Athenian period would greatly affect both the interpretation and influence which the myth of Prometheus would exert upon Athenian culture. This influence would extend beyond its dramatic and tragic form in the Athenian period, and influence large portions of the greater Western literary tradition which would follow it for over two millennia. All three of the major Athenian tragedians, Aeschylus, Sophocles and Euripides, were affected by the myth of Prometheus. The surviving plays and fragments of Aeschylus regarding Prometheus retain a special place of prominence within modern scholarship for their having survived the ravages of time. The majority of plays written by Aeschylus, Sophocles and Euripides have been lost to literary antiquity, including many of their writings on Prometheus.
Both during and after the Renaissance, Prometheus would again emerge as a major inspiration for his literary and poetic significance as a symbol and archetype to inspire new generations of artists, sculptors, poets, musicians, novelists, playwrights, inventors, technologists, engineers, and film-makers. His literary and mythological personage remains prominently portrayed in contemporary sculpture, art and literary expression including Mary Shelley’s portrayal of Frankenstein as The Modern Prometheus. The influence of the myth of Prometheus extends well into the 20th and 21st century as well.
|Name||Prometheus (Titan) of forethought and crafty counsel, & creator of mankind|
|Atlas (Titan) god of endurance & astronomyasdasds|
|Epimetheus (Titan) of afterthoughtasdasds|
|Menoetius (Chthonic Deity & Titan) of violent anger, rash action, & human mortalityasdasds|
References [ + ]